LES PAPIERS PEINTS D’ANDY WARHOL
Andy Warhol : L’art et le papier peint – 1963-1983
par Paul Maréchal
par Teresa Lucia Cicciarella, Ph.D.
![S&H Green Stamps [II.9], 1965. Offset lithograph on paper
23 x 22 3/4 inches. Edition of approximately 300](https://ciac.ca/wp-content/uploads/2020/04/20004_front_zoomed.jpg "20004_front_zoomed")
![Cow [II.11], 1966. Screenprint on wallpaper. 45 1/2 x 29 3/4 inches
Edition of 100, signed.](https://ciac.ca/wp-content/uploads/2020/04/333-201461611551_original.jpg "333-201461611551_original")
![Installation view of Andy Warhol – From A to B and Back Again (Whitney Museum of American Art, New York, November 12, 2018–March 31, 2019).
From left to right: Factory Diary: Andy Paints Mao, 1972; Vote McGovern, 1972; Mao (Edition 4/300), 1973; Mao (Edition 27/300), 1973; Mao (Edition 32/300), 1973; Mao (Edition 39/300), 1973; Mao (Edition 103/300), 1973; Mao (Edition 204/300), 1973; Mao (Edition 242/300), 1973; Mao (Edition 261/300), 1973; Mao, 1973; Factory Diary: Andy Warhol, Geri Miller, Candy Darling at the Factory, c. 1971–72; Michael Kostiuk, Andy Warhol vacuuming the carpet for an installation piece at Finch College Museum of Art, c. 1972; White Painting [Torso], 1966; Ronald Nameth, Andy Warhol’s Exploding Plastic Inevitable, 1966. Photograph by Ron Amstutz. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York](https://ciac.ca/wp-content/uploads/2020/04/large_WMAA_WARHOL_33A_SM.jpg "large_WMAA_WARHOL_33A_SM")
![Installation view of Andy Warhol – From A to B and Back Again (Whitney Museum of American Art, New York, November 12, 2018–March 31, 2019). From left to right: Mylar and Plexiglas Construction, c. 1970; Mao, 1972; Willard Mass, Andy Warhol’s Silver Flotations, 1966; Vote McGovern, 1972; Mao, 1973; White Painting [Torso], 1966. Photograph by Ron Amstutz. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York](https://ciac.ca/wp-content/uploads/2020/04/large_WMAA_WARHOL_12_PS-03_SM.jpg "large_WMAA_WARHOL_12_PS-03_SM")
ANDY WARHOL
Silver Factory, 1963
Papier d’aluminium couvrant les murs de la Silver Factory
New York
S & H Green Stamps, 1965
Lithographie sur papier
584 mm x 578 mm (23 in x 22 3/4 in)
Édition approximative de 300
Cow Wallpaper, 1966
Sérigraphie sur papier peint
1156 mm x 755 mm (45 1/2 in x 29 3/4 in)
Édition de 100, signé
Cows, 1971
Sérigraphie en couleur sur papier peint
1172 mm x 749 mm (46 1/8 in x 29 1/2 in)
Édition approximative de 100, signé
Imprimé par Factory Additions
Washington Monument, 1974
Sérigraphie sur papier peint
1114 mm × 752 mm (43 9/10 in × 29 3/5 in)
Plum Head Mao, 1974
Sérigraphie en couleur sur papier peint
1018 mm x 755 mm (40 in x 29 3/4 in)
Édition approximative de 100
Imprimé pour exposition au Musée Galliera, Paris, par Factory Additions
Self-Portrait Wallpaper, 1978
Sérigraphie en couleur sur papier peint
1040 mm x 765 mm (41 in x 30 in)
Fish, 1983
Sérigraphie en couleur sur papier peint
1085 mm x 770 mm (43 in x 30 in)
Imprimé par Feldman / Schellmann
Consultez nos autres artistes papiers peints
BALDESSARI John • BOWIE David • BOYCE Sonia • CORDIER Frédéric • GENERAL IDEA • GOUGEON Diane • HADID Zaha • MONKMAN Kent • MONNET Caroline • MORELLI François • MYRE Nadia • PAREDES Cecilia • PÉTRIN Dominique • STURTEVANT Elaine • WARHOL Andy
CURATOR
CLAUDE GOSSELIN, C.M.
General and Artistic Director
Centre international d’art contemporain de Montréal
claude.gosselin@ciac.ca